Home
About
Biog
Theatre
Productions
The Pleasure to Play Project
Applied Theatre
Headphone Verbatim
Film
Actor Training
UK Conservatoire
Australia Conservatoire
Independent Actor Training Programmes
Masterclasses
Circus
Audio
Intracultural Research
MPhil Research
Intracultural Rehearsal Blog - 'The Arrival'
Intracultural Actor/ Directors Labs - Practice Blogs
Doing Intracultural Theatre: Observations on the practice
Publications
Critical Acting Pedagogy, 2024
Empowering the somatically othered actor through multi-lingual improvisation in training: Stages of Reckoning, Chapter 8
Seeking complicité, the pleasure to play and a clown state as an integral part of actor training in the work of Kristine Landon-Smith and Fabio Motta
A pedagogy for twenty-first century actor training: intracultural theatre practice which embraces pluralistic identity and plays with difference
Meditations on Acting: Essays on Theory, Practice & Performance
Research Article: The whole of humanity: voice and intracultural theatre practice
Research Article: Voice meets intracultural theatre practice: towards real world voices
New Directions in Teaching Theatre Arts: Chapter : The Intracultural Actor, Embracing Difference in Theatre Arts Training by Kristine Landon-Smith and Chris Hay
REVIEW: New Directions in Teaching Theatre Arts...
News & Events
Conferences
Contact
Menu
Kristine Landon-Smith
Director/ Educator/ Producer
Home
About
Biog
Theatre
Productions
The Pleasure to Play Project
Applied Theatre
Headphone Verbatim
Film
Actor Training
UK Conservatoire
Australia Conservatoire
Independent Actor Training Programmes
Masterclasses
Circus
Audio
Intracultural Research
MPhil Research
Intracultural Rehearsal Blog - 'The Arrival'
Intracultural Actor/ Directors Labs - Practice Blogs
Doing Intracultural Theatre: Observations on the practice
Publications
Critical Acting Pedagogy, 2024
Empowering the somatically othered actor through multi-lingual improvisation in training: Stages of Reckoning, Chapter 8
Seeking complicité, the pleasure to play and a clown state as an integral part of actor training in the work of Kristine Landon-Smith and Fabio Motta
A pedagogy for twenty-first century actor training: intracultural theatre practice which embraces pluralistic identity and plays with difference
Meditations on Acting: Essays on Theory, Practice & Performance
Research Article: The whole of humanity: voice and intracultural theatre practice
Research Article: Voice meets intracultural theatre practice: towards real world voices
New Directions in Teaching Theatre Arts: Chapter : The Intracultural Actor, Embracing Difference in Theatre Arts Training by Kristine Landon-Smith and Chris Hay
REVIEW: New Directions in Teaching Theatre Arts...
News & Events
Conferences
Contact
The Serpents Teeth by Daniel Keene
July, 2014
Students in their First year of training.